To describe a work on paper by Fernand Léger, it is often mentioned its reproduction in the book by Jean Cassou and Jean Leymarie (Editions du Chêne, Paris 1972). This book,
We have noted, with a worrying recurrence, problems of appreciation concerning stencilled lithographs appearing in Grosclaude’s art edition of the “Illuminations” (Lausanne, éditions des Gaules, 1949, 395 print copies). The
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