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Welcome to the Comité Léger website. Discover the world of artists Fernand and Nadia Léger, as well as our expertise services concerning their works.

The story of the artist

Fernand Léger

Discover the life and work of Fernand Léger, a major 20th century artist who throughout all his artistic periods has always been at the forefront. He is now considered the father of Pop-Art.

The story of the artist

Nadia Léger

Discover the incredible career of Nadia Léger and her major works. A great artist now rediscovered who devoted her life to defending the work of her master Fernand Léger.

The story of the artist

Nadia Léger

Discover the career of Nadia Léger and her major works, a great artist now rediscovered and who devoted her life to defending the work of her master Fernand Léger.

The work of the artist

Catalogue raisonné

The catalogue raisonné of works on paper currently references nearly 600 works for the period 1946-1955 alone. Do not hesitate to submit a work to us if you wish to see it included in the catalogue raisonné.

Nos services

Expertise

The Comité Léger, under the aegis of the grandson and great-granddaughter of Nadia Léger, is authorized to issue notices of inclusion in the catalogue raisonné. Any expertise requires special attention, whether for the examination of the work itself or research in the archives. Discover our procedure.

News from the Comité

Posts to read

The NFT market must respect the copyright rules

The NFT market must respect the copyright rules NFTs burst onto the art market and led to unprecedented speculation in recent months. A large number of players all over the world launched,

The AEPLY trap : “Deux cordages sur fond bleu”

The AEPLY trap : “Deux cordages sur fond bleu” In 2017, we had brought to your attention the dangerous “trap” presented by stenciled lithographs (pochoir) made from Rimbaud’s “Illuminations”, which are often

The lithographs’ trap : “Illumination” of Rimbaud (Grosclaude art edition)

We have noted, with a worrying recurrence, problems of appreciation concerning stencilled lithographs appearing in Grosclaude’s art edition of the “Illuminations” (Lausanne, éditions des Gaules, 1949, 395 print copies). The